A Continuous Revolution Making Sense of Cultural Revolution Culture
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A Continuous Revolution: Making Sense of Cultural Revolution Culture (Paperback)
Published by Harvard University, Asia Center, United States, 2016
New Condition: New Soft cover
About this Item
Language: English. Brand new Book. Cultural Revolution Culture, often denigrated as nothing but propaganda, was liked not only in its heyday but continues to be enjoyed today. A Continuous Revolution sets out to explain its legacy. By considering Cultural Revolution propaganda art-music, stage works, prints and posters, comics, and literature-from the point of view of its longue duree, Barbara Mittler suggests it was able to build on a tradition of earlier art works, and this allowed for its sedimentation in cultural memory and its proliferation in contemporary China.Taking the aesthetic experience of the Cultural Revolution (1966-1976) as her base, Mittler juxtaposes close readings and analyses of cultural products from the period with impressions given in a series of personal interviews conducted in the early 2000s with Chinese from diverse class and generational backgrounds. By including much testimony from these original voices, Mittler illustrates the extremely multifaceted and contradictory nature of the Cultural Revolution, both in terms of artistic production and of its cultural experience. Seller Inventory # AAZ9780674970533
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Bibliographic Details
Title: A Continuous Revolution: Making Sense of ...
Publisher: Harvard University, Asia Center, United States
Publication Date: 2016
Binding: Paperback
Book Condition: New
Edition: Reprint.
About this title
Synopsis:
Cultural Revolution Culture, often denigrated as nothing but propaganda, was liked not only in its heyday but continues to be enjoyed today. A Continuous Revolution sets out to explain its legacy. By considering Cultural Revolution propaganda art―music, stage works, prints and posters, comics, and literature―from the point of view of its longue dur�e, Barbara Mittler suggests it was able to build on a tradition of earlier art works, and this allowed for its sedimentation in cultural memory and its proliferation in contemporary China.
Taking the aesthetic experience of the Cultural Revolution (1966–1976) as her base, Mittler juxtaposes close readings and analyses of cultural products from the period with impressions given in a series of personal interviews conducted in the early 2000s with Chinese from diverse class and generational backgrounds. By including much testimony from these original voices, Mittler illustrates the extremely multifaceted and contradictory nature of the Cultural Revolution, both in terms of artistic production and of its cultural experience.
About the Author:
Barbara Mittler is Professor of Chinese Studies at the University of Heidelberg, Germany.
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